el puente_lab


Since 2006 we have created a series of projects in collaboration with the CDCM (Centro de Desarrollo Cultural de Moravia - Center for Cultural Development of Moravia), all developed with the participation of the community, conceived by international artists starting from the needs of the CDCM and from the peculiar conditions of the neighbourhood.

Developed projects:
Río Medellín
Moravia videolab
Nodos de desarrollo cultural
Espacios de memoria

El barrio Moravia - The Moravia neighbourhood context

Moravia is a quarter of Medellín, in Colombia, that grew from the illegal settlement of communities that arrived in the city in the ‘sixties. The municipal dump, established in the same area in 1977, gave the inhabitants a chance for survival, based on recuperating any recyclable materials, which effectively turned Moravia into an emarginated quarter with its economy based on and sustained by trash. Due to social conflict in the early ‘eighties, and ‘thanks’ to the presence of the dump, Moravia reached its highest level of population: 17 thousand people in 1983. In 2004 Moravia and its catchment area reached 42 thousand inhabitants in just 44 hectares, becoming the zone with the highest population per square metre in the entire city of Medellín. This extreme population density and the indiscriminate appropriation of the land, has caused a decline in the quality of life and a lack of public space. In the same year, the Alcaldia de Medellín (municipality of Medellín) under the guidance of mayor Sergio Fajardo, began the Macroproyecto de Moravia, an integrated strategic plan to promote development through actions aimed toward recovering the urban area and improving the socio-cultural, socio-economic and environmental conditions, working on both physical and social components, such as public space, public hygiene, public housing and education.
Only recently the resurgence of Medellin, founded on culture and education, has given results even in the Moravia district, the first and perhaps most important of which was the simple inclusion of the quarter in the urban fabric. A significant sign of the quarter’s rebirth is the Centro de Desarrollo Cultural de Moravia (CDCM), a centre whose aim is to promote culture, education and the arts, and which was strongly desired by the community; a project that is truly one of a kind, and that offers a highly valid model for the entire continent.